We're really excited about today's wonderful guest blogger. Lucy is a very talented tattoo artist and she specialises in tattoos for women who have been affected by breast cancer.
We'll let Lucy introduce herself:
"Hi everyone. I'm Lucy Thompson. I'm a 30 year old single mama and a paramedical tattoo artist specialising in 3D and decorative tattoos for breast cancer survivors. I created a charity – the Nipple Innovation Project – to offer free 3D nipple tattoos and to raise the standards of restorative tattoo options following mastectomy surgery and to educate. I want to empower people with the restorative tattooing I offer and raise awareness and educate people on the importance of finding a suitably trained practitioner to seek this service from."
Lucy has written today about the story behind her passion of restorative tattooing and what inspired her to create the Nipple Innovation Project.
Take it away, Lucy!
"I have been tattooing since 2014 after I spent years and years trying to get an apprenticeship in a very male dominated industry. I’m also a single mum to an 11 year old boy, I come from a family of farmers and artists – a vast contrast in professions ;)
I have grown up admiring my grandparent’s artwork; they’re self-taught painters. I recall spending hours and hours sat with them being taught new painting and drawing skills.
Drawing and painting have always been my go-to activities throughout my life. When I left school I knew I wanted to do something creative but never knew what. When I got my first tattoo (which was underage at the age of 16), I remember being absolutely fascinated by the process and the artwork. It piqued my interest and sparked something in me which empowered me to seek training to become a tattoo artist!
Once I'd completed my apprenticeship it was obvious I had a natural flair for the arts which inspired me to open my own studio. By this point I had acquired lots of tattoos myself and I knew how much more confident and empowered I felt in my skin for the tattoos I'd had done. I wanted to help other people feel this good!!
I went on to open my own studio and I was asked by a couple of people to cover up some self harm scars on their bodies. They told me that other tattoo artists had said they couldn’t help them because the scars were too bad. This surprised me because I felt if anything people who have scars, a tattoo is possibly more important to them as scars can be a reminder of a past trauma, a constant reminder of a time in their life that they wanted to forget.
This set me off and inspired me to further my knowledge on scar tissue. It was at this time I decided to start the scar cover up project. I gave away one free tattoo a month to someone who couldn’t afford a cover up but so desperately needed one, I was in a position to be able to help heal others with beautiful artwork and I wanted to do what I could to make a difference.
A year or so into the scar cover up project I was approached by a client who asked me to do a nipple tattoo. This was the first ever time I’d heard of a ‘nipple tattoo’ and I had to do some research! They told me how they had had one done at the hospital and it had faded away.. I was shocked – the hospital?! Tattooing?! This prompted me to do some research and was quite shocked by what I found; hospital tattoos being done by medical professionals with minimal tattoo experience, the tattoos looked nothing like nipples and faded nearly every single time. I also found that a few semi-permanent nipple tattoos were being offered by semi-permanent make-up artists, these also faded away. I didn’t understand this at all. Why would anyone want a nipple that faded away?!
I knew my auntie had had breast cancer when I was younger, I asked my mum if she knew if my auntie had a hospital tattoo and she explained she didn’t know, she told me how it was a very difficult and challenging time for my auntie and she never openly spoke about it at the time or even since her mastectomy. It had been ten years at the time. I plucked up the courage to broach the subject with my auntie and she was very closed off, she told me her hospital tattoo experience was horrible and it had faded away, she doesn’t ever look at it and that was that.
It saddened me to hear this coming from my auntie, a brave survivor of breast cancer, a ten year warrior! For her to not want to talk about her victory of being ten years cancer free or to be able to even look at her body, truly pained me. I couldn’t understand it. Why were these incredible people having such important tattoos done that faded away?
This set me off on some internet searching. There HAD to be someone out there doing permanent nipple tattoos. I couldn’t find anyone in the UK so I took to Instagram and found a collective called the Areola Restorative Tattoo. They were a USA based collective of professional artists who specialised in realistic tattoos that had a 3D effect and more importantly were PERMANENT!! There and then I sent a message asking to know more. I spoke to Stacie-Rae who advised me to buy her book and when I received it in the post a few weeks later I read it from back to front that same day! I knew I had found my calling.
At that point I knew I had to do this training, more than anything. A class was being held in Texas, USA, and I couldn’t explain it but I just knew I had to be on that class.
With the support of my family I signed up and made travel arrangements, no going back! The training was in a beautiful cabin house in Texas and it was life changing, it truly was.
On the third day I did my first ever nipple tattoo for a lovely lady whose surgeon had told her due to her unilateral mastectomy she couldn’t have a tattoo that would match her opposite side. She was obviously devastated and so desperately wanted to feel ‘normal’ or ‘whole again’. No pressure then!
I managed to not only create her a new tattoo but we got a pretty good match to her natural whilst creating some visual balance at the same time. She was elated as was I! She was over the moon, she cried, I cried, it was a truly beautiful and life changing moment. I remember leaving the room shortly after to call my mum in tears, I was absolutely overwhelmed by pride, joy and happiness all at the same time. Just incredible.
I was lucky enough to be able to help my auntie with her permanent nipple tattoo. She was reluctant at first, she asked lots of questions and I showed and talked her through the process. She even spoke to a client of mine before deciding to trust me with this important part of her life that she had kind of almost put behind her and moved on from. I won’t go into too much detail but I can say it was one of the most special, memorable and intimate times of my life. It was such an honour to be able to help my auntie. I got to see her confidence grow in ways neither of us realised were possible. She even told me she had been speaking to some friends about how much it had helped her self esteem, this coming from the lady who wouldn’t even discuss her breast cancer experience before, is simply too incredible to put into words.
I knew I wanted to help other people feel empowered and feel that same feeling myself again, it was so special. I was excited to return to the UK and build on my experience! I offered out the next 20 tattoos for free and once I had built up my experience and portfolio I started to charge for my services. I found this a difficult thing to do as some of my clients couldn’t afford the tattoo, whilst it was reasonably priced for the difficulty, speciality and skill that went into creating it. I found clients couldn’t claim on their insurance either as I was just a tattoo artist. I was torn by wanting to be able to help everyone that needed this service but needing to take a wage too. This got me thinking, if only there was a pot of money to be able to pay for this challenging and specialist work so NO ONE had to miss out…
I had an idea of starting a charitable organisation that could pay for the tattoos, I called it The Nipple Innovation Project. The idea behind N.I.P was to provide funding to people who needed it. I didn’t feel money should be an issue when seeking this restorative and healing art work, I knew how important and life changing this work was and I wanted to be able to offer this out to anyone and everyone who needed a new nipple tattoo. Since we started in 2018 we have grown to a team of 6 verified artists throughout the UK and southern Ireland.
We now have an online directory on our website which you can easily navigate to find your nearest practitioner. Whilst I have people travel from all over to get tattooed by me – its not always practical for everyone so my goal is to grow this directory so we have a fully trained artist in every city throughout the UK. We became a registered charity in March 2020.
The long term goal is for us to be recognised by the NHS as a trusted service to be able to alleviate the pressure and costs to the NHS by undertaking this work whilst being funded by the Nipple Innovation Project and offering the service free of charge to everyone who needs it. This would free up surgeons and nurses time where it is often needed elsewhere, not spent tattooing. There was a huge waiting list for this service pre-covid I dread to think what it is now. Unfortunately the physical and mental importance of having this work done is massively underestimated by many medical professionals. The impact a failed nipple tattoo can have on someone’s self-esteem or mental health is really quite scary, we plan to change this. Its 2020: it's time to get it right the first time, every time.
This specialist service could then be left to experienced, dedicated and specialist artists who dedicate their time and career to perfecting this particular service. This work is extremely challenging and needs to be done by someone with previous professional tattooing experience, an artistic eye and knowledge of scar tissue. The skin is so so delicate and has been through so much trauma, that needs to be respected and understood. It is often overworked which causes more damage and can make corrective tattooing almost impossible, which is devastating and avoidable.
At the moment I'm working on growing the Nipple Innovation Project by training more dedicated artists who are interested in being a part of our movement. We're a charity run solely on donations, this helps us fund these treatments and offer them out for free. Covid has put a stop to our annual fundraiser so we are having to approach it differently this year but have found our waiting lists are increasing.
We will figure something out, we have a great team of support behind us and people who are genuinely wanting to back us and help us change the world – one nipple at a time ;)"
Thank you for sharing your story with us, Lucy. We've seen first hand what a huge difference nipple tattoos can make for people who have undergone breast surgery. We're blown away by your passion and the amazing work you do!
It’s our absolute pleasure to introduce the next in our series of guest blogs. Please meet the wonderful Christen Williams who you may also know as BRCAchatter. Christen speaks very passionately about her experience of discovering she has a BRCA2 gene mutation on both Instagram and Youtube. She has produced some really fabulous videos explaining what BRCA gene mutations are and documenting her experience of a risk reducing mastectomy (and beyond!).
If you don’t already follow her, what are you waiting for?!
Christen has written a wonderful blog for us today in which she speaks about body image and feeling beautiful after surgery. Take it away, Christen!
“What makes you feel beautiful and sexy? Is it the skin you’re in, or the clothes you’re in? Can your clothes help if you’re unhappy with your body? The answer is yes – clothes and lingerie have a unique power to empower us.
In 2018, my surgeon said to me, “I’d be happy if you chose a double mastectomy, or I would be happy if you chose regular screening to catch breast cancer early… it’s your choice either way.”
I sat there thinking, “I’d be happy if you made the decision, Doc, save me the anguish!” But he could not, and I had a lot of thinking to do.
In 2015, after my mother died of ovarian cancer, I discovered I carried a rare genetic mutation of my BRCA2 gene. This meant that I had an up to 85% lifetime chance of developing breast cancer. Over the next few years, I would slowly learn to detach from the beautiful ticking time bombs on my chest and view all boobs in a whole new light… leading me to sit in front of the Doc and ponder my life choices.
A lot of us hate our boobs – some studies say up to 85%. Too small, too big, too saggy, too booby. I fell between love and hate. I loved their size (28FF), big and bouncy. I hated them without a bra. Big and droopy. As soon as I was told I could lose them, the love hate relationship amplified. I loved them SO much, don’t cut them off, and I hated everything they stood for – they had failed me. To lop or not to lop?
This decision comes down to body image, and how we view our bodies. It is not helped by the view of society, which sexualises women’s boobs. Boobs are used to sell cars, KFC, and squash. Yet women are battling across the world to breastfeed in public without being shamed and judged. Losing my boobs meant I would never be able to breastfeed. Was I thinking about that? Hell no. I was more concerned about having a boob reduction and losing my cleavage.
Many things swayed my decision to opt for the mastectomy. At one point, I casually said to my genetic counsellor, “Well, if my cancer is caught early, I can get rid of it.” And she just looked at me blankly and said, “Yeah, but you might die!” To the point. My second surgeon said, “You need to figure out whether your boobs are your biggest priority in life!” When you put it like that, it becomes boobs or death? It’s a no brainer, but that doesn’t mean it’s an easy decision.
I spent a lot of time living life, touching my boobs, staring at other women’s boobs. To be honest, I probably looked like a bit of a boob perve. When I put on a bra, I would mourn for its future loss in the bin. I made a big deal of going to Bravissimo and buying “my final bra” and “my final bikini”. Every time I went to yoga I would be doing the cow, cat or dog and admiring my boobs in my final sports bra. The mastectomy loomed over me, like a giant big-boobed elephant in every room I entered.
As I started to learn about potential complications of a mastectomy, I significantly lowered my expectations. When you hear about infections, tissue death and implant removal, suddenly size doesn’t matter, and a painless, quick recovery does. I prepared for the worst, so I could be pleasantly surprised when the worst didn’t happen. The worst never came for me; I was lucky (Doc says I wasn’t lucky, just young and healthy).
I would love to go back in time. Into all those rooms with the big-boobed elephant, and say to it, “You will love your faux boobs. ” (Foobs.) I would love to tell myself that I am the same size. Those final bras and bikinis I bought? I can still wear them. All those dresses? I can still wear them, even braless. I want to drift back to the past and reassure myself, and all other women waiting for a mastectomy, that you find a way through and you learn to love yourself again.
One of the worst things? Our choices of lingerie are somewhat limited. We are supposed to avoid underwire bras. Valiant saves the day here – I am so proud to support this company, which gives hope to all the foobilicious figures out there. In my old bras, I look the same. In my old clothes I look the same. But, new foobs require new lingerie – they needed to be celebrated for all they stand for. Life savers.”
Thank you so much for sharing your story with us, Christen.